Monday, July 20, 2015

Heath, Chip & Dan, Made to stick

Heath, Chip and Dan, Made to stick

Books/authors


Klein, Gary Sources of Power--The power of stories
Concepts

Notes


Intro


13--how effective ideas are constructed what makes some ideas stick and others disappear


16 6 principals--1. simplicity--proverbs, simple and profound
                         2. unexpectedness counterintuitive--engage curiousity
                         3. concreteness--concrete images--only way to make sure clear to everyone
                        4. credibility--
                          5. emotions--
                         6. stories--mentally rehearsing increases performance in real life
Villain--”Curse of knowledge” once we know something it is hard to remember what is was like not to know
 
To defeat curse of Knowledge--transform ideas--tapping and listening to song


ch 1 Simple


27  When people know what the intent is they begin generating their own solutions


       Commanders intent:  “If we do nothing else during tomorrow’s mission, we must _____________”


Simple= finding the core of the idea


28 Southwest Airlines--”We are THE low-fare airline” every decision is made with that in mind


30 Ideas not simple because of dumbing down but following “commander’s intent” --elegance and prioritization


30 Bury the lead--inverted pyramid


33-James carville--”if you say 3 things you don’t say anything”


38-41 Sun exposure clinic


42  Names, names names--newspaper includes all local coverage


45 Simple = core + compace


50 simple= defined more by what it is not than what it is


52 make ideas profound and compact--tap into the existing memory of audience
             can create complexity from simplicity  Pomelo schema--grapefruit


56 attaching schema more important than absolute accuracy


57 accurate but useless idea still useless


57 people tempted to tell you everything, with perfect accuracy instead of giving just enough info to be useful...then a little more and a little more


58 avoid useless accuracy avoid curse of knowledge--make an analogy


60 Generative analogies
     Disney-- not employees--cast members
                    while working they are on stage
                     not customers--guests
                     jobs are called performances--uniforms are costumes


simon sinek  TED talk  ”people don’t buy what you do they buy why you do it”


61  generative metaphors and proverbs substitute something easy for something difficult


Ch 2 Unexpected


45 How do I get people’s attention?  How do I keep it?


surprise gets attention


interest keeps it
71 Break guessing machine then fix it--target part of audience’s guessing machine that relates to core message


72 process for making ideas stickier--1. identify central message find the core--2. counterintuitive--”what are unexpected implications of core message?” 3 communicate message to break guessing machine then fix it


common sense opposite of sticky--no change in guessing machine


76 not enough to regurgitate facts--figure out the point  Understand what it means and why it matters


80  cialdini-- “huh” then “aha”  create mystery at start of class return to it during class and reveal at end of class


83 Robert McKee--curiosity--intellectual need to answer questions and close open patterns  Story plays to universal desire by doing the opposite, asking questions and opening situations


each scene in movie is turning point--turning points hook curiosity--make people wonder “what will happen next?  How will it turn out?


85 trick to convincing people they need your message--highlight some knowledge audience is missing.Pose question that reveals gap in knowledge--let them know others know what they don’t--example news teaser ad before new starts


88 change from thinking “What information do I need to convey” to “what questions do I want my audience to ask?”


people typically think they know more than they do-- if people think they know everything--hard to make gap theory work--must cause schema to fail


89  the more information we know the more likely we are to focus on what we don’t know


91--college football--roone arledge  What if people have no knowledge?  Fill with enough information to make abyss into gap


92 access prior knowledge (APK)  begin by highlighting what is already known--knowledge gaps create interest
93 sequence information--reveal a clue at a time rather than dumping whole thing on them


Ch 3 Concrete


104 Concrete language helps novices understand new concepts.  Abstraction luxury of expert--concreteness is the only safe language


106 Concreteness helps understanding--create higher more abstract thoughts built on existing knowledge --trying to teach abstract principle without concrete foundation like building house starting with the roof


107 accounting case study--fictitious Kris and Sandy Safe NIght Out product--form company all accounting class concepts taught through that story-- connected math---plant unit--teaching 7th grade ss through guns germs steel--leads to higher occurrence of recall even years later


110 Memory like velcro--more hooks it has easier it is to stick


113 difference between expert and novice--ablility to think abstractly --bio students think of whether reptiles lay eggs--bio teachers think of animal taxonomy


Novices see concrete details as concrete details--experts see concrete details as patterns and insights from years of experience--Curse of Knowledge


115 Concreteness creates universal language


119 White things test  part 1  15 seconds name as many white things as possible part 2  15 seconds name as many white things in fridge as possible --usually come up with about the same #---fridge more concrete
122 leather portfolio symbol for laptop computer--concrete object the size of laptop


129  concreteness easiest trait to do and most effective


being concrete isn’t hard--doesn’t need a lot of effort--problem is slip into abstract--curse of knowledge


Ch 4 Credible


Credibillity--experts or celebrities


137 honesty and trustworthiness more important than status


139 vivid details boost credibility


142 bb’s dropped in metal bucket = nuclear weapons


143 statistics should be used to illustrate a relationship


Human Scale principle
145--soccer analogy  compares employees beliefs about their workplace with the 11 members of a soccer team


146 statistics arent inherently helpful--scale and context make them helpful


stats good source of internal credibility


147 use stats to make up your mind--don’t make up mind and use stats for support


150 when using stats--the less rely on the numbers use them to illustrate underlying relationship--bb’s in bucket or comparing deaths caused by shark  to deer


Sinatra Test
151--if you can make it there you can make it anywhere--your ability to do a job for something well known makes you eligible for any job. Going to meet with google guy?  

Ch 5   emotional


167 thinking about stats shifts people into analytical frame of mind and are less responsive to emotions


168  for people to take action they have to care


171 How do we make people care about our idea?


173 make a connection between something they don’t yet care about and something they already care about


179 spell out the benefit of the benefit--WHIFFY--”what’s in it for you”  In class--”why do we have to learn this?”


180 if you have self interest on your side--don’t bury it and don’t talk around it


183 Maslow  self interest most found in --physical (hunger, thirst warmth) , security (protection and safety) and esteem ( achieve, be competent, gain approval) levels


190 James March--decision making models 1-calculate consequences--assess value and choose the one which has the most value  2--make decision based on identity--
Ask 3 questions--1. Who am I?  2. What kind of situation is this?  3. What do people like me do in this situation?


192  Algebra--why do we need it? When will we use it?  develop reasoning skills to help you be a better parent, employee etc.


193  Algebra and weight training--bench press to help you do everything physical better, not because someone will knock you down and make you bench press on the street.


201--ask at least 3 why’s to overcome the curse of knowledge


ch 6 stories


206 the right stories make people act


208 Why is story more interesting?  allows people to play along--Can mentally test out what would they have done?


209 we create a kind of geographic simulation of stories we hear


210 thinking of how, where , when why problem started more effective than thinking of how will feel after problem is resolved


213 sitting quietly picturing yourself performing a task successfully from start to finish improves performance significantly--the right kind of story is a simulation


Epilogue


247 Symptoms and solutions--problems encountered when trying to get and keep someone’s attention.


253 summary
1.Simple--find the core, share the core
2. unexpected--get attention, surpise, hold attention interest
3. concrete help people understand and remember, help people coordinate
4. Help people believe  External credibility, internal credibility
5. emotional  make people care, use the power of association, appeal to self interest, appeal to identity
6. stories-get people to act, stories as simulation (tell people how to act) stories as inspiration

















Sunday, July 19, 2015

Gallo, Carmine Talk Like TED: The 9 public speaking secret of the world's top minds

Gallo, Carmine  Talk Like TED: The 9 public speaking secret of the world's top minds


Words


Websites
significantobjects.com  p 70
Dr. Jill  neuroanatomical transformation and teenage brain 87
@TEDquote 154


Ideas
What is our story? 61


Authors/books
Guber, Peter 66 Tell to win--Winning the story wars
Sach, onah 63
Palmer, Amanda 76 blog on making ted talk
Stevenson, Bryan  TED talk
Powell, Colin it worked for me
May, Matthew The laws of subtraction 189


Introduction


“I’m a learning machine and this is the place to learn”--Tony Robbins 2006 TED talk


TED talks to watch
Bryan Stephenson
David Christian


Organize TEDx Event--2015-16 Matt Kemper


#1 Unleash the Master Within
17  passion is contagious--


34--Howard Friedman longevity Project charisma can be learned


37 passionate people smile a lot, are positive and enthusiastic


39 Passion the person has for own growth is most important thing.


#2 Master the art of storytelling
Bryan Stevenson
49 Dale Carnegie


48-9 logos, ethos, pathos


61 What is our story?


63 jonah sachs definition of story--


65 Gladwell, “In embracing the diversity of human beings, we will find a surer way to true happiness.”


Telling stories is the virtual equivalent of taking people on a field trip, helping them to experience the content at a much more profound level.


Peter Guber  Tell to Win


significantobjects.com buy cheap objects from thrift stores, write a story around the object and sell on ebay.


71 Vonnegut’s story chart--give the reader at least one character to root for


73 Recipe for great characters--a passionate heart--mavericks, dissidents, outsiders, rebels who ask questions, bend the rules and take risks.


Ideas are the currency of the 21st century


stories illustrate, illuminate, inspire


#3 Have a conversation


Don’t fake it until you make it, fake it until you become it.


76-78 Amanda Palmer’s blogpost about her TED talk “The Art of Asking


be authentic--find right words to tell how you feel about the topic,
deliver words for max. impact
practice having a conversation so you can focus on your story.


3 steps to craft a wonderful presentation


1. Help with planning--talk with people who know you best
watch out for the “curse of knowledge” give big picture


2. Early feedback--read out loud in front of other people


3. Rehearse a lot in front of anyone who will listen


81 Elements of verbal delivery


Rate: speed at which you speak


Volume: loudness of softness


Pitch: high or low


Pauses: short pauses to punch key words--the verbal equivalent of a highlighter


82  Pace--150-160 words per minute--slighly slower than casual conversation--give people time to think




90 Great leaders


strong eye contact
firm handshake
speak concisely and precisely
remain calm--don’t get flustered
use open gestures--palms up or open and hands apart


98 Gestures
use sparingly--be natural don’t think about what gesture to make


use at key moments--expansive gestures for key moments


keep gestures (and eye gaze) within power sphere--circle from top of eyes to tips of outstretched hands to belly button


hands below the belly button lack energy and confidence


use complex gestures above the waist to give sense of confidence


to make ideas sell better
use “eager nonverbals”:  
1. animated. broad, open movements
2. hand movements projected outward
3. forward leaning


112 teaching 2 jobs--1 to teach 2 to recruit everyone in the classroom to join the pursuit of truth


#4 Teach me something new


115 “learning is addictive because it is joyful” Peter Gabriel


“Babies are born with a deep desire to understand the world around them and an incessant curiosity that compels the to aggressively explore it.” John Medina molecular biologist U Dub med


116 brain “save button”
dopamine-- when it is present we remember, if not it doesn’t stick


how do i increase dopamine? make info new and exciting


123-125 Susan Cain  “zero correlation between being the best talker and having the best ideas”


introverts are needed and so are the things they carry


explore outside of your field bombard the brain with new experiences


great conversations take you to places you had never considered


131 before presentation--What is one thing I want people to take away? one thing for them to know? keep to under 140 characters--”twitter friendly”


133 well crafted headline--id product, service or cause and what makes it unique


people want to experience, engage to endeavor


inspiration and growth come from being uncomfortable “pain = memories”


#5 Deliver jaw droppiing moments


138-9 plan story first--use senses


140 dopamine=post it note


#6 Lighten up
humor--if not good at telling jokes, tell stories from someone eise or show funny, apporpriate video


PArt II Memorable


#7 Stick to the 18 minute rule


184 college students who listened to info knowing test is coming grew more anxious until took test


187 brain cells use twice as much energy as other cells


mental activity depletes glucose


188 creativity thrives under constraints


191 “Simplicity is the ultimate sophistication”  Leonardo da Vinci


“our life is frittered away by detail, Simplify, simplify.”  Thoreau




1. Attitude 2 choices when facing “bumps in the road”  1 gloom and doom, 2 grieve, then face the future” great future = choose number 2


2. Awareness Listen to your inner 3 year old--remember you saw everything for the first time once


3. Authenticity--being cool with you, follow your heart, put yourself in places you love, meet people you enjoy talking to




people want to be taught something new and don’t want to wait too long to learn it


198 Message map
1. Twitter friendly headline


2. support the headline with 3 main messages


3. reinforce three messages with stories, statistics, and examples


200 mesage map template


#8 Paint a Mental picture with multisensory experiences


203 water not emotional unless you don’t have it


204 brain doesn’t pay attention to boring things--dopamine


206  stimulate senses without physically touching the audience-if you can imagine how water smells or tastes it activates same areas of the brain as if you actually touched it.


210-11 Avg powerpoint has 40 words per slide


try to take 10+ slides to reach 40 words total


213 multitasking is a myth--John Medina, molecular biologist U Dub school of medicine


picture superiority effect--pictures are better than words duh


#9 stay in your lane
be authentic, open and transparent--people can spot a phony





Saturday, July 18, 2015

Donovan, J. How to deliver a TED talk

Donovan, J. How to deliver a TED talk

words
anaphora--20--repeat at the beginning

epistrophe--20--repeat at the end

traductio--21--repeat in different parts

websites

books/authors
2  pranar, mistry 6th sense tech
17-19 simon sinek  start with why

concepts

notes
Ch 1 Spread your ideas
4  pick 1 remarkable idea and share it in inspiring way
  TED 10 commandments
  1. do not use your normal stuff
  2. dream big
  3. tell a story
  4. do not sell stuff
  5. laughter is good
  6. show your passion
  7. connect with previous speakers
  8. do not talk about your successes
  9. do not read your speech
  10. finish on time

Ch 2 How to select your topic

10 Greatest joy I ever experienced?  Greatest lesson I ever learned? What is my life’s mission and how can I enlist others in my crusade

As build talk keep in mind  listener is thinking “what’s in it for me?”

13  captivate audience--make an enemy of status quo, see promise of tomorrow just out of reach but worth the effort

14 people want to make a difference
pick a single unifying message to deliver figure out amazing experiences that add emotional depth to the message

Ch 3  How to craft your catchphrase

19 catchphrase--3 words are best

21 two part catchphrase  2nd part positive sharply contrasting 1st part

Ch 4 how to be introduced

25 tell the audience what is in it for them

a great audience with a taste of the benefit they are going to get but does not go so far as to give away the best part

26 we respect authority but we trust people who are similar to us.  We are inspired to rise to action by people like us

27   For introduction provide whomever will introduce you 1 What’s in it for the audience  2 Maximize topical relevance 3 minimize biographical info
Review info with MC--have them practice

Ch 5 How to open your talk

30 first 10-20 seconds most important of the speech--peak of audiences engagement level Hook them fast.  Show them the benefits by giving them a reason to pay attention

**Most consistently successful opening--personal story
  1. Really be personal--make others the hero
  2. make sure story is directly relevant to core message
  3. make sure story is emotional, sensory, rich in dialogue--the story should be so specific the audience should be able to relive it with you

Shocking statement other opening--usually rely on statistics

Asking a powerful question
  • why and how q’s
  • Why q’s most enticing --once we know why things happen we want to know how to make good things happen and how to prevent bad things from happening
  • to successfully string multiple q’s together they must all have the same answer

36 Pre openings and post openings--match energy level of the room  

too much or too little tension preopening
too much joke too little use silence

37Opening call-back --talk about prior speakers, current events--should have an impromptu it should feel special

38  Post opening explicit promise of the benefits that your audience will get and how long it will take to get them

39  a great post opening--provide audience with visual metaphor of structure of speech “you will walk out of here with the the A’s of happiness in your toolbox”

      3 is the stickiest number

40  Do not open with a joke

Ch 6 How to build your speech body and transitions

45 make a statement or ask a question that gets the audience thinking about themselves while making them hungry for more
 Open  shares the what  
  body the why and how

46 body  3 sections--helps you to remember where you are and where you are going
Narrative structures
  1. situation-complication-resolution--changes perspective and calls them to action
            part 1  describe situation in neutral way--just give info
            part 2  hook them -tell why things are flawed
            part 3 offer solution that neatly and completely solves problem

      2. chronological--
      3. Idea-concepts- top ten style list

48 right brain--stories, activities
left brain--facts, strategies, tips, techniques

50  ask frequent q’s during each section so audience reflects on their own lives
51 smooth transition--employ a tease

Ch 7 How to conclude your talk

54 create sense of urgency--shorten sentences, add passion to your voice,
    all parts of conclusion must relate to central theme
    goal must be to reinforce the benefit to the audience--give the audience the next step they can take today to get moving in the right direction

can use fear card--”consequences of failure are...”